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Kill off the Night

by Jeff Bright & The Sunshine Boys

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  • Record/Vinyl + Digital Album

    Ten-song pressing, 180-gram classic black vinyl 12-inch 33 RPM stereo limited/numbered edition of 1994 recordings. Deluxe packaging includes jacket with "ghost phono" cover, complete credits and rare photos, plus insert with lyrics and liner notes.

    Includes unlimited streaming of Kill off the Night via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
I am a pirate. You are less than treasure. Is this adventure, or is it even cool if I sail your empty sea? You are a mirror. I am less than handsome. Please bring it nearer. Could this be love if a ghost is all that I can see? We sleep until noon in a dusty cocoon. And we say, we say we’ve got it made. We swallow the time like a blood thirsty wine. These are the days, the days of suede. Oh-oh, the days of suede. I am an ulcer. You’re a glass of milk. Questions are the answers to all my questions. Still I thank you for all your sticky help. We sleep until noon in a dusty cocoon. And we say, we say we’ve got it made. We swallow the time like a blood thirsty wine. These are the days, the days of suede. I am a spaceman without an orbit. I’d sell this tin can if I could afford it. Still I sail your empty sky. We sleep until noon in a dusty cocoon. We swallow the time like a blood thirsty wine. We stare down the moon through the sunshades of doom. And we say, we say we’ve got it made. These are the days, the days of suede. Oh-oh, the days of suede.
2.
Holding your hand, lying on the sand, doing what lovers should do. But not a day now goes by I don’t ask myself why something like we had must die? I don’t know where I could go. I don’t know how I would know if I was there, far enough away from you — the reason I can’t smile, the reason I’m a fool. And I can’t do a single thing but keep on missing you. About a year has gone past. I try not looking back at our ugly exchange of good-byes. If I keep moving along maybe nothing will go wrong — maybe keep those tears from my eyes. But I don’t know where I could go. I don’t know how I would know if I was there, far enough away from you — the reason I can’t smile, the reason I’m a fool. And I can’t do a single thing but keep on missing you. I’m still missing you. Oh, I don’t know where I could go. I don't know where I could go to get away from you.
3.
I’m staring at the sky, asking myself why I did the things I did. I’m walking by the river, trying to remember just how it fell apart. You took my heart. You took my heart. The truth hit me about ten o’clock. I’m up holding my head, clutching your cold pillow, staring at the bed. Last night we had a quarrel. We disagreed. Now my loneliness begins. I'm sadder than the moon, hoping you'll be home soon. But I know that's a lie. I’m driving in my car, searching for a bar with a quiet clientele. Oh, well. Oh, well. The pain hit me about one o’clock. Tears filled my eyes. Over in the corner, I can’t hide. Emptiness was just a place I’d seen my friends. Now my loneliness begins. Now my loneliness begins. My loneliness begins.
4.
(instrumental)
5.
The sun came up with each tomorrow. It fell back down in cloaks of sorrow. I stare and wonder at the edge. I told myself you’d always be here. The sun went down in cloaks of sorrow. This is the midnight of lost tomorrows, before the morning after forever. Just for a moment we were laughing. And then the light departed your eyes. This is the midnight of lost tomorrows, before the morning after forever. Before the morning after forever.
6.
See the dreams above the clouds, fold them into pocket. You’re the dream above my clouds, lip you into pocket. Number on the napkin is mine. Seize the dreams above the clouds before you change your mind. Milky Way baby, milky white star, Mr. Moonglow’s back in town to catch you when you fall in his universal arms. I sense a queer triangle in the shadows of your speech, a side for each promise we will never keep. Number on the room key is mine. Milky Way baby, milky white star, does the pale on your face match a stain on your heart? Tell me, baby, are we doomed from the start? Milky Way baby, Milky Way star, does the angst on your face match a stain on your heart? Milky Way baby, Milky Way star... Reflection in the motel says number on the matchbook is mine, all mine. All mine, all mine. All mine, all mine.
7.
There are secrets in the walls. Dead promises in every stop clock. Half truths in the window panes. Half lies hidden in every quiet town. So consider me left and gone. Consider me traveling on through the soot-sad neighborhoods on a rusted railroad line, counting with the dead and gone every inch of time, looking for what I will never find. I’m addicted to addiction. I’m afflicted by affliction. And I’ve been wrong. I once had a lover whose eyes were purely fiction. So consider me left and gone. Consider me traveling on through the soot-sad neighborhoods on a rusted railroad line, counting with the dead and gone every inch of time, looking for what I will never find. Sometimes at dawn those dreams disappear. Then sometimes at dusk those dreams, dreams, dreams reappear. They reappear. And through the soot-sad neighborhoods on a rusted railroad line, counting with the dead and gone every inch of time, looking for what I will never find. What I’ll never find. Will I ever find my peace of mind?
8.
Poker Face 01:57
My face looks big in a mirror, small in a crowd. My face looks big in a mirror, small in a crowd. And I feel ephemeral. Oh, I feel ephemeral. I’ve been younger than you. Now I’m twice your age. I hope you can laugh at me while you have the chance. I’ll soon move on and you won’t have my shadow to judge the light. I’ll keep my poker face. I’ll keep my poker face. I’ll keep my poker face.
9.
Let’s get drunk and talk about marriage, kill off the night discussing its merits. You want to. And I don’t want to. You want to. And I don’t care. So let’s get drunk and talk about marriage. Let’s get mad and call it off. Call it off. Call the whole thing off. In a stranger’s bed, at an inopportune hour, I decide to go, to go ahead. If you want to, then I will try. If you want to, then I will try and change my mind. I’ll change my mind. I’ll change my mind. I’ll change my mind. But what good would it do people like me and people like you? When every day we wake we hope to find the world has changed? But the more we wish, the more is stays the same. And the more we wish, the more it stays the same. I want to. I want to. I want to. Now you don’t. I want to. I want to. I want to. Now you don’t care. So let’s get drunk and talk about marriage. Kill off the night 'til the hatchet is buried.
10.
Mr. Lonely 04:01

about

Every band has a beginning. Every band has an end. The arc of their story can be as revelatory as their output. For Jeff Bright & the Sunshine Boys, Kill off the Night represents their inception point, if an unlikely one, considering their eventual identity as western swing revivalists and dance floor favorites.

At the end of 1993, surrealist alt-rock quartet Myself a Living Torch found themselves at an impasse. Bright and songwriting partner, arranger and multi-instrumentalist extraordinaire E-Bone Schulz (now Harlan T Bobo), had effectively exhausted their deep bag of idiosyncratic statements. As if awakened from a fugue, along with trusty rhythm sidekicks Chris "Troy" Green (bass) and Christopher Fisher (drums), the restless pair shed yet another layer of skin. On a dare, the group rebranded. Stomp boxes and samplers were kicked aside, traded for more rustic tools. Mercurial attitudes were refit with a broader, though more direct empathy. Jeff Bright & the Sunshine Boys, irony fully intended but reverence intact, set out into the inky-dark void of American heartbreak — the abyss where the traveler acquiesces, realizing his compass is useless. Here is the midnight of lost tomorrows, the harrowing instant before the morning after forever, the ghost town where loneliness begins.

What became was a set of stylized recordings, delivered in a mode that could be termed Western Noir. Five songs were tracked by Kevin Ink on vintage gear at his Studio That Time Forgot on Capp Street in San Francisco's Mission district and five were captured on lo-fi 8-track at the band's Minna Mansion rehearsal flat in SOMA — all ten waltzing in a cautious embrace with sadness, deftly lending character and voice to the haunted soul of loss. In sum, Kill off the Night is a coy nod to the melancholy elegance of 1960s cosmopolitan “crossover” music — not country, not pop, not rock, not blues — material typified by the songs of Jimmy Webb and the production of Al De Lory — the kind that, for those of a certain age, lingers in the corners of your memory long after the phonograph ceases to play.

On some velvet-draped midnight, give this record a spin or two. And while you're there, remember the “days of suede” — the days when you had it made, lying on the sand, doing what lovers should do. Then seize the dreams above the clouds and kill off the night 'til the hatchet is buried.

credits

released March 11, 2022

Jeffrey Bright – voice, guitar, keyboards
E-Bone Schulz – guitars, lap steel, pedal steel, organ
+ double bass, drums on "The Morning After Forever"
Chris "Troy" Green – double bass
Christopher Fisher – drums

Initial recording and mixing:
Kevin Ink at The Studio That Time Forgot
E-Bone Schulz at The Minna Mansion
San Francisco, California
1994

Tape transfer:
Tardon Feathered at Mr. Toad’s
Richmond, California
2020

Restoration and additional recording,
mixing, remixing, and mastering:
JABMA at Studio La Casa
San Francisco, California
2020–2021

design – Jeffrey Bright
photograph – Jason Langer

all songs by Jeffrey Bright / Fugitive Music (BMI)
except “The Morning After Forever”
by Jeffrey Bright & Harlan T Bobo / Fugitive Music (BMI)
and “Mr. Lonely”
by Bobby Vinton & Gene Allen / Feather Music (BMI)

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Jeff Bright & The Sunshine Boys San Francisco, California

Active in San Francisco and throughout California from 1994 through 1999, JB&TSB started as a twangy post-rock project featuring Jeffrey Bright and members of his previous bands Darke County and Myself a Living Torch. As members changed so did the sound. At their peak JB and the 'Boys were among CA's top retro swing acts, filling dance floors and keeping alive the rowdy soul of western music. ... more

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